Vintage Art Nouveau Peacock Print by Émile Hurtre, 1890s

An Art Nouveau decorative art print reproducing a peacock architectural study by Émile Hurtre, listed as dating from the 1890s, with a nature-inspired ornament and bird theme.

This vertically oriented reproduction has a recorded beige and blue palette and a nature theme, with Art Nouveau as both its style and art movement. Produced using giclée printing on quality 200gsm art paper, it has a matte finish.

Art Nouveau Peacock by Émile Hurtre

Bring a connection to nature-inspired architectural ornament into your collection with this reproduction of a study by Émile Hurtre, listed as dating from the 1890s. Its peacock subject offers a meeting point between bird artwork and decorative design, making it a thoughtful choice for an entryway, study or gallery devoted to Art Nouveau.

About the design

The architectural-study context makes this print an appealing alternative to a conventional bird portrait. Enjoy it as decorative artwork associated with historical ornament rather than as a measured building plan or a practical ironwork specification. The listed artist and broad decade are retained without assigning an unverified exact year, publication or architectural commission. This product is a contemporary reproduction for wall display, not an original antique sheet, a hand-worked drawing or a piece of ornamental metalwork.

A collected entryway

Imagine placing the print near a console table, with warm wooden furniture, softly textured fabrics and a few favourite collected objects nearby. Its connection to nature and architectural decoration can give the setting a personal point of interest without requiring every accessory to follow the same motif. The recorded beige and blue palette offers a starting point for coordinating companion artworks and smaller decorative accents.

A small format can join an established gallery, while the large option gives the design a more prominent position. Pair it with other Art Nouveau studies for a movement-led arrangement, or introduce contrasting botanical and bird prints to explore different approaches to natural subjects. Matching frames can bring individual works together while allowing their differences to remain part of the appeal. Consider the available wall area and usual viewing distance when selecting your size, particularly when planning a grouping above furniture.

Pair it with

Continue the nature-inspired decorative theme with William Morris’s Bird Pattern (1878) and Morris’s Anemone (1876). Add Charles Rennie Mackintosh’s Windyhill (1901) for an architectural connection in a gallery exploring period design.

Explore more Art Nouveau artwork

Discover companion nature-inspired decorative designs in our Art Nouveau prints collection.

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