The Trumpet Shop Vintage Prints
Vintage Windyhill Print by Charles Rennie Mackintosh, 1901
Vintage Windyhill Print by Charles Rennie Mackintosh, 1901
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- 200gsm premium art paper
- Tracked delivery within 10 days
- Free replacement guarantee
Print details
| Printing method | Giclee |
| Material | 200gsm Matte Art Paper |
| Colour | Black, White |
| Theme | Black and White, Architecture, Art, Retro/Vintage |
| Orientation | Horizontal |
| Art style | Art nouveau |
| Art movement | Art nouveau |
| Authenticity | Reproduction |
Returns information
Returns information
Product details
| Artwork authenticity | Reproduction |
|---|---|
| Colour | Black, White |
| Material | 200gsm Matte Art Paper |
| Printing method | Giclee |
| Theme | Black and White, Architecture, Art, Retro/Vintage |
| Art style | Art nouveau |
| Orientation | Horizontal |
| Art movement | Art nouveau |
Windyhill by Charles Rennie Mackintosh
Celebrate an interest in Scottish architecture with this reproduction of Charles Rennie Mackintosh’s Windyhill House drawing, listed as a 1901 work. The house is the subject of the artwork, giving the print a specific architectural connection rather than presenting it as a general landscape. It is a considered choice for a study, reading corner or gallery devoted to design and Scottish artists.
Architecture as wall art
The Windyhill subject offers a way to explore Mackintosh’s architectural work alongside his other artistic interests. Its Glasgow Style connection makes it especially relevant to a design-minded collection, while the black-and-white palette provides a starting point for combining it with other prints. This product is a modern reproduction for display, not an original drawing, a signed architectural document or a measured plan for building work.
A design-minded corner
Imagine placing the print beside a bookshelf of architecture and interiors books, with warm wooden furniture, softly textured upholstery and a favourite reading lamp nearby. The house subject can make the arrangement feel personal without requiring the whole room to follow a particular historical style. It also offers a useful contrast within a gallery of Scottish figurative and botanical artwork.
A smaller format can join an established grouping, while a larger print gives the architectural subject a more prominent position. Matching frames can connect works with different subjects, allowing the artist or Scottish association to become the shared thread. Consider the available wall area and usual viewing distance when selecting your size, especially if you are planning a group above a desk or sideboard.
Paper and printing
This reproduction is produced using giclée printing on 200gsm matte art paper. Choose a print-only version if you would like to use your own frame, or select a framed paper print with a black frame and white mount. Each of the three sizes is available in both options, providing flexibility for a single feature or a coordinated gallery.
Choose your size
- Small: 11 × 14 in, available as a print only or framed.
- Medium: 12 × 16 in, available as a print only or framed.
- Large: 18 × 24 in, available as a print only or framed.
- Framed options include a black frame and white mount. Select your preferred size and finish above.
Pair it with
Explore another side of the artist’s work with Mackintosh’s Mont Louis Flower Study. Add Francis Cadell’s The Parting and Samuel John Peploe’s Roses in a Vase for a gallery connected by Scottish artists, with contrasting architectural, figurative and floral subjects.
Explore more Mackintosh artwork
Discover companion works in our Charles Rennie Mackintosh prints collection, and explore his life and design legacy in our Mackintosh article.
